Some hours ago the idea of this essai came to me, hard and clear, demanding to be written, and proposing for itself the title, ‘Hard Work vs. Working Hard’. ‘Always,’ said Kipling, ‘in our trade, look a gift horse at both ends and in the middle. He may throw you’: therefore I did a quick search, and found another essay with that exact title, written barely four months ago, by one Scott McGrath. What he has to say is good, and valid, and useful, and I propose to take it as a starting-point; but his essay is general in application, and I want to apply the distinction particularly to the business of writing. So I have changed my title to ‘The Drudge and the Architect’, for reasons I mean to make clear later. [Read more…]
Michel de Montaigne, back in the 16th century, was the first writer to call his short, informal pieces by the name ‘essai’. The French word means ‘trial’ or ‘attempt’; Montaigne’s essays represented no set body of knowledge, but his own attempts to work out his thoughts in writing. The pieces collected here are in the same rambling and experimental tradition. I sometimes use the French spelling ‘essai’, not because I am terribly pretentious, but to remind me of the original meaning of the word. Nothing posted here should be taken too seriously. —T. S.
Clock share: Writers vs. the competition
In one of his series of essays on ‘Killing the Sacred Cows of Publishing’, Dean Wesley Smith takes aim at what he calls the ‘myth’ that writers compete with one another. He pours scorn on this ‘myth’, and on all who believe it. A short but representative sample:
The myth is simply that writers compete.
Of course, this is so far wrong, it shouldn’t be even talked about, but alas it’s still out there and going strong. In fact, I recently made the mistake of wondering over onto the Kindle boards and wasted a bunch of hours before I came to my senses. By the time I was finished with those hours, I knew I had to talk about this, since new writer after new writer talked about how they had to compete with all the other writers to get their books read.
He then goes on to paint a wonderful Technicolor picture of a world where there is an unlimited demand for fiction, pie for you and me and pasture for all the sheep, and the sky’s the limit, baby. Now, I do not know what religion Mr. Smith adheres to, but I am a lifelong devotee of what Kipling calls the Gods of the Copybook Headings. And one of the Copybook Headings, which people like Mr. Smith seem never to have heard of, is this:
Trees do not grow up to the sky. [Read more…]
Writer vs. Author: the defective verb
— A Writer is a person who writes.
— An Author is a person who has written.
This fine distinction explains why I have never had any ambition to be an Author, and have the very lowest suspicions about anyone who has. [Read more…]
Procol Harum and G. K. C.
Thus, if one asked an ordinary intelligent man, on the spur of the moment, ‘Why do you prefer civilization to savagery?’ he would look wildly round at object after object, and would only be able to answer vaguely, ‘Why, there is that bookcase… and the coals in the coal-scuttle… and pianos… and policemen.’ The whole case for civilization is that the case for it is complex. It has done so many things. But that very multiplicity of proof which ought to make reply overwhelming makes reply impossible.
—G. K. Chesterton, Orthodoxy
My Muse is actually an imp, or perhaps a pooka, and cannot read a passage such as this without taking it as a challenge. I shall accordingly give my reason for preferring civilization, in the form of an example; and I hope to show that the example I give would be utterly impossible except in a state of civilization, and indeed, inconceivable in any civilization but our own. Mr. Chesterton would doubtless be glad to hear that my example does at least include a piano. [Read more…]
Gondor, Byzantium, and feudalism
A reader on LiveJournal, who goes by the name of ‘dirigibletrance’, asks:
How exactly is Byzantine politics different from feudalism, other than taking place earlier and not in Western Europe? How are the politics we see of Gondor outside of the bounds of what we know as feudalism, both the narrow and broader definitions?
As it happens, Mr. or Ms. Trance is in a certain amount of luck: Byzantium and Tolkien are two of the subjects I have studied in some detail. However, I shall approach the matter in my own way, which means answering a lot of questions that were not asked, but that may, when answered, give meaningful context to the answer that was asked for.
To begin with, Tolkien at various points made both explicit and implicit comparisons of Gondor with Byzantium. The terms ‘North-kingdom’ and ‘South-kingdom’ for Arnor and Gondor are deliberate echoes of the Western and Eastern Roman Empire. In his famous letter to Milton Waldman (Letters of J. R. R. Tolkien no. 131), Tolkien writes:
In the south Gondor rises to a peak of power, almost reflecting Númenor, and then fades slowly to decayed Middle Age, a kind of proud, venerable, but increasingly impotent Byzantium. [Read more…]
The taste for magic
Why do we hanker for magic? That is a question that the large-C Catholic fantasy writer must squarely face, and the small-c catholic reader ought at any rate to find interesting. The practice of magic as such, whether effective or not, is explicitly forbidden by scripture and canon law, and even too strong a theoretical interest is rather frowned upon. The Catholic attitude towards magic in fiction is more ambiguous. I was absurdly surprised to find, when I myself was converted, that every sort and condition of Christian, practising or pinchbeck, that you can find in the innumerable denominations of Protestantism, can be found in the Catholic Church. We, too, have our would-be book-burners, our crusaders against Harry Potter, our excessive literalists and excessive metaphorists; we even have churchgoers who look like 17th-century Puritans and loudly say ay-men after a prayer, though everyone else in the room is saying ah-men. It is a sufficiently odd mixture.
What I mean is that the same problem faces every fantasy writer in a more or less Christian or post-Christian society, regardless of denomination; it is only that Catholic writers, if they take either their writing or their religion seriously, have less room to shirk the issue. J. R. R. Tolkien wrestled with the question in a nocturnal agony of the spirit. In ‘On Fairy-Stories’ and ‘Leaf by Niggle’ he tries to show that fantasy as such is a thoroughly Christian, even a salvific, activity; but Smith of Wootton Major is a cry from the heart of a man who has lost his confidence, and some of Tolkien’s last writings on Middle-earth almost amount to a confession of heresy. He wasted endless hours trying to uproot the Two Trees of Valinor from The Silmarillion, because he could not reconcile his beautiful and moving myth of the Sun and Moon with post-Copernican astronomy, and (which was for him the salient point) because he could not pretend that the God who made the Elves would allow them to believe a legend so obviously contrary to scientific fact. Yet that legend was the heart of the whole work. For similar reasons he worked and re-worked the story of Galadriel, thinking to make her perfect with emery and holystone, but in truth only reducing her to a plaster saint. The legendarium that he meant as a profound expression of his faith fell to pieces at the rude touch of his theology. [Read more…]
History, language, and the Higher Blarney
Those who cannot remember the past are condemned to repeat it.
—Santayana
Those what cannot remedy the past can pretend to repeal it.
—Howland Owl
The second text is from Doyle and Sternecky’s revival of Pogo, which met a worse fate than it deserved. Howland attributed it to ‘Santa Ana’, but it was his own (or his authors’) genius that distorted the quotation into a sort of Freudian slip of the Zeitgeist worthy of P. G. Wodehouse. On the one hand you have the serious philosopher of history, weary and worldly-wise, bluntly restating the obvious law for the thousandth tedious time; on the other, the half-baked Postmodernist, illiterate but pretentious, vaguely remembering some better man’s scripture that he may be able to cite to his purpose.
I have been too long in the company of the second kind of people. I mean the kind who mistake wishful thinking for valid reasoning. If you point out the difference between these things they call you heartless, and if you prove them wrong about the facts they call you an intellectual bully. ‘Everyone is entitled to their own opinion,’ they smugly say; and if they are a little more learned, according to their dim and dubious lights, they add that you are merely making a transparent patriarchalist attempt to oppress alternative modalities of enlightenment by determining the parameters of discourse. [Read more…]
Procrustes the publisher
‘The Children of Húrin’ and the size of books
Yesterday afternoon I received and read my copy of The Children of Húrin, the latest published extract from the formidable corpus of J. R. R. Tolkien’s unfinished work. I intend to write more about this very interesting book soon, but first I want to consider the interesting problem of the format, and what it may imply for the artistic health of commercial fantasy. [Read more…]
1977: From Zeus’s brow
This is the first in a five-part series on the ‘Fantasy Big Bang’ of 1977. You can find the other parts of the series here:
2. Lord of the Rinky-dink
3. Hero and fool
4. All roads to nowhere
5. Lost tales, unattained vistas
Somewhere or other, I suppose, there are people who would claim that some fundamental change or progress has overtaken the field of ‘high’ or ‘epic’ fantasy in the last thirty years. I suppose they must exist, because nowadays there is no claim so foolish that somebody cannot be found who will make it. In the same way, a century ago, there were those who claimed that England was not ruled by an oligarchy, and it was to these that G. K. Chesterton made his inimitable answer:
It is quite enough for me to know that a man might have gone to sleep some thirty years ago over the day’s newspaper and woke up last week over the later newspaper, and fancied he was reading about the same people. In one paper he would have found a Lord Robert Cecil, a Mr. Gladstone, a Mr. Lyttleton, a Churchill, a Chamberlain, a Trevelyan, an Acland. In the other paper he would find a Lord Robert Cecil, a Mr. Gladstone, a Mr. Lyttleton, a Churchill, a Chamberlain, a Trevelyan, an Acland. If this is not being governed by families I cannot imagine what it is. I suppose it is being governed by extraordinary democratic coincidences. —What’s Wrong with the World [Read more…]
The Terminal Orc
This essai is included in the collection Writing Down the Dragon.
If the powers of Morgoth and the nature of the Elves gave Tolkien endless trouble in preparing The Silmarillion for publication, the problem of the Orcs nearly frightened him into giving up the attempt. How this happened sheds light on some interesting facets of Tolkien’s creative process, the mentality of his critics, and the ethics of fantasy in general. [Read more…]
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