Quotations from all quarters on life, literature, and whatever else tickled my fancy. Browse and enjoy. —T. S.

Finishing sentences

I have been reading G. K. C.’s autobiography, and here and there having flashes of fellow-feeling where I least expected them. It is common enough with me to feel that I understand something that Chesterton understands, but an entire surprise to find that one of those things, even in small part, should be William Butler Yeats.

Here one master of English rhetoric remarks upon another, with, I believe, exquisite and approving justice:

I can still remember old Yeats, that graceful greybeard, saying in an offhand way about the South African War, ‘Mr. Joseph Chamberlain has the character, as he has the face, of the shrewish woman who ruins her husband by her extravagance; and Lord Salisbury has the character, as he has the face, of the man who is so ruined.’ That style, or swift construction of a complicated sentence, was the sign of a lucidity now largely lost. You will find it in the most spontaneous explosions of Dr. Johnson. Since then some muddled notion has arisen that talking in that complete style is artificial; merely because the man knows what he means and means to say it. I know not from what nonsense world the notion first came; that there is some connection between being sincere and being semi-articulate. But it seems to be a notion that a man must mean what he says, because he breaks down even in trying to say it; or that he must be a marvel of power and decision, because he discovers in the middle of a sentence that he does not know what he was going to say. Hence the conversation of current comedy; and the pathetic belief that talk may be endless, so long as no statement is allowed to come to an end.

—G. K. Chesterton, Autobiography

Finishing schools

There used to be, and possibly is, a mysterious institution for young ladies known as a finishing-school. The chief case against it was that, in certain instances, it meant finishing an education without ever beginning it. In any case, this is what is the matter with a great many modern institutions…. The curse of nearly all such judgements is the journalistic curse of having heard the latest news; that is, of having heard the end of the story without having even heard of the beginning. We talk of people not knowing the A B C of a subject, but the trouble with these people is that they do know the X Y Z of a subject without knowing the A B C.

—G. K. Chesterton, All I Survey

I draw just one distinguo. The latest news, in such affairs, is seldom or never the last news. Journalists, and the sort of people who take their opinions from journalism, are much more likely to walk into the middle of a conversation, hear the L M N of the subject, and suppose that it ends there; or project its ultimate outcome without ever inquiring about its grounds or origins, and hastily conclude that it will end with something like Ayin, Psi, Wum. The eventual arrival of X Y Z, so predictable to those few sensible people who inquired into the whole of the subject, nearly always leaves the journal-minded in a state of indignant surprise.

‘After the real world has passed away’

After the death of his wife, Edith, J. R. R. Tolkien wrote to his son Michael:

I do not feel quite ‘real’ or whole, and in a sense there is no one to talk to.… Since I came of age, and our 3 years separation was ended, we had shared all joys and griefs, and all opinions (in agreement or otherwise), so that I still often find myself thinking ‘I must tell E. about this’ – and then suddenly I feel like a castaway left on a barren island under a heedless sky after the loss of a great ship. I remember trying to tell Marjorie Incledon this feeling, when I was not yet thirteen after the death of my mother, and vainly waving a hand at the sky saying ‘it is so empty and cold’. And again I remember after the death of Fr Francis my ‘second father’ (at 77 in 1934), saying to C. S. Lewis: ‘I feel like a lost survivor into a new alien world after the real world has passed away’.

(Letters no. 332)

I am sad to report that these descriptions of feelings fit me rather exactly. My mother was a difficult person to deal with, and nearly impossible to talk to; she had the fixed habit of listening to the first half-dozen words that you said, ignoring the rest, and then responding to what she imagined you might have said; and she had a short and fearsome temper. Our relationship could be charitably described as ‘fraught’; yet one has, as a rule, only one mother, and whatever she may be, one feels the loss when she is gone. My father was my chief friend, supporter, and confidant for many years, and I still miss him terribly. Now that I have lost them both, and in rapid succession, I feel rather like the little girl from London in the Second World War, who was interviewed by a reporter after losing her home and family in the Blitz: ‘Now I am nobody’s nothing.’ It is a disorienting and indeed frightening feeling.

 

A postscriptum about practical matters: It will probably take some months to settle my parents’ affairs, but once that is done I can expect to come into a small inheritance, which if used frugally, will keep the wolf from the door for some time while I get my bearings and (I hope) find a way to make my work pay my bills. I thank all those generous donors who have helped me through my recent difficulties with gifts of money (and still more, of time, attention, and care). I believe I shall be all right for the time being.

Shooting blanks

A champion of reason uses fact, and the logical deductions from facts, as the basis for his beliefs. He does not use falsehood. Why bother? No man shoots blanks at a foe when he has bullets.

John C. Wright

Distinguo: There are two kinds of men who may shoot blanks when they have bullets. One is the man who is so ignorant of firearms that he cannot tell the difference, and loads his gun with both indiscriminately. The other is the man who is such a bad shot that he knows he cannot hit anything, and only wants to make a lot of noise.

I note, however, that extending the analogy in this way does not make it any more flattering to the liar who pretends to be a champion of reason.

‘The War of Ignorance versus Faith’

Yet another ignoramus announces his belief, founded upon nothing but prejudice and public education (but I repeat myself), that the Catholic Church is the mortal enemy of science; and John C. Wright boils over with justified dudgeon. In his response, he lists well over 200 Catholic scientists, and not merely Catholics, but Catholic clergymen every one, new and old, living and dead, who have made important (dare I say cardinal?) contributions to the sciences, from José de Acosta to Giovanni Battista Zupi. (I confess my own ignorance: I myself had never heard of quite half of these persons.)

Hmph. I just came across another antieducated sophophobe who declared there to be a war between science and faith, especially the Roman Catholic Church.

I asked him to name the Papal Bull or Encyclical, or any other official document of the Church prohibiting or condemning the practice of scientific inquiry. He did not know what a ‘bull’ was.

I asked him if he knew anything about science and the history of science, and he said yes. I asked him for the evidence of any Catholic interference, or even lack of enthusiastic support, for any scientific inquiry of any kind, in any time or place?

He mentioned Galileo. I asked him if he knew the circumstances of Galileo’s trial, or what Galileo was accused of? He said no. I asked him if he knew who Cardinal Bellarmine was. He said no.

I asked him if he had read Dialogues Concerning Two New Sciences? He did not even know what the book was, much less who the characters in it were, or what positions in the contemporary debates they represented.…

Calibrating my questions to the level of someone without a Saint John’s College level of education,  I asked him if he knew who Albertus Magnus, William of Ockham, Roger Bacon, Nicholas Steno were. He said no.

I asked him who invented the mechanical escapement used in clockwork. Or when. He did not know what mechanical escapement was. (Villard de Honnecourt circa 1237, in case you are wondering.)

Recalibrating my question to the high school level, I asked him if he knew who Pascal was, Copernicus, Descartes. He said no. Mendel. No. Still no.

He then told me that all the European inventions in mathematics and medicine came from the Muslim world. I asked him if he knew where Andalusia was, or when the Reconquista happened. Did not recognize those terms. I asked him what religion the people were in the lands conquered by the Muslims in the Seven, Eighth, and Ninth Centuries, et cetera? He guessed that they were some sort of pagans.

I did not bother to ask him if he knew who Abu Hamid al-Ghazali was.

He did not even know enough to raise and throw into my face the old, tired, and oft-refuted slander about Hypatia the neoplatonic philosopher (always described as a female scientist) being flayed to death by a Christian mob wielding sharpened clamshells.

In other words, I could have argued in favor of the War between Science and the Church better than he. He had not even memorized his side’s own talking points.

He was a disgrace to the forces of evil.

Go and read the whole thing; or better yet, bookmark it for permanent reference. Links are included to information about nearly every scientist in the list. (At the moment, there is no link for Fr. Benito Viñes, who does not have his own page on Wikipedia, though he is mentioned in other articles there. Fr. Viñes was a Jesuit priest who invented the first system for forecasting hurricanes.)

‘From the Competency Plateau to Mastery Mountain’

Comfort is the antithesis of greatness, whether it be in art or athletics. Don’t listen to people who claim art is easy, who offer formulas and simple unbreakable rules, or tell you not to strive to create something new because “everything’s been done before.”

Sarah Dimento

Wise words from a fellow climber. What she says about dabblers, hobbyists and hacks is particularly wise. Go and read.

The artist as citizen

In an age like our own, when the artist is an altogether exceptional person, he must be allowed a certain amount of irresponsibility, just as a pregnant woman is. Still, no one would say that a pregnant woman should be allowed to commit murder, nor would anyone make such a claim for the artist, however gifted. If Shakespeare returned to the earth to-morrow, and if it were found that his favourite recreation was raping little girls in railway carriages, we should not tell him to go ahead with it on the ground that he might write another King Lear.

And, after all, the worst crimes are not always the punishable ones. By encouraging necrophilic reveries one probably does quite as much harm as by, say, picking pockets at the races. One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other.

The first thing that we demand of a wall is that it shall stand up. If it stands up, it is a good wall, and the question of what purpose it serves is separable from that. And yet even the best wall in the world deserves to be pulled down if it surrounds a concentration camp. In the same way it should be possible to say, ‘This is a good book or a good picture, and it ought to be burned by the public hangman.’ Unless one can say that, at least in imagination, one is shirking the implications of the fact that an artist is also a citizen and a human being.

—George Orwell, ‘Benefit of Clergy: Some Notes on Salvador Dalí

(Paragraph breaks and boldface added.)

And yet here we are, less than a hundred years later, and the Hollywood elite lionizes and defends the likes of Roman Polanski, who did not quite stoop to raping little girls in railway carriages, but is no Shakespeare, either. I will say it plainly: We live in disgusting times.

On purple prose

Another repost of a comment on The Passive Voice.


The phrase ‘purple prose’ goes back to Horace’s Ars Poetica; and in Horace’s time, purple dye was a rare luxury, and purple was the colour of kings. He objected to ‘purple patches’ not because they were rich or ornate, but because they were patches and did not match the fabric of the whole story. Here is a translation of the passage in which he coined the phrase:

Your opening shows great promise, and yet flashy purple patches; as when describing a sacred grove, or the altar of Diana, or a stream meandering through fields, or the river Rhine, or a rainbow; but this was not the place for them. If you can realistically render a cypress tree, would you include one when commissioned to paint a sailor in the midst of a shipwreck?

You can see that it is extraneous purple that he objects to, and not purple per se.

One definition of knowledge

The way the word knowledge is used by many intellectuals often arbitrarily limits what verified information is to be considered knowledge. This arbitrary limitation of the scope of the word was expressed in a parody verse about Benjamin Jowett, master of Balliol College at Oxford University:

First come I; my name is Jowett.
There’s no knowledge but I know it.
I am master of this college:
What I don’t know isn’t knowledge.

—Thomas Sowell, Intellectuals and Society

(The ‘parody verse’ is generally attributed to Henry Beeching. I have here substituted the original for Sowell’s paraphrase, because the original scans better.)

Johnny can’t

The problem isn’t that Johnny can’t read. The problem isn’t even that Johnny can’t think. The problem is that Johnny doesn’t know what thinking is; he confuses it with feeling.

—Thomas Sowell