A slight delay

No progress tonight on either fiction or essais, as I had to take my mother to hospital and wait with her in the ER for several hours. If no further emergencies occur, I hope to resume work tomorrow.


 

EDIT, 08:07: The hospital called shortly after 5 a.m. to say that my mother was being discharged. She was, however, sound asleep when I arrived. By the time she was waked, dressed, and discharged, and I delivered her home and got home myself, the round trip had taken two hours at a time when my body had serious expectations of being asleep; and in blizzard conditions, too.

Fortunately, she is essentially all right. She had been extremely constipated for several weeks, and had reached the point of evacuating traces of blood — and nothing else. We feared a structural blockage, a tumour or intussusception, which could be extremely serious at her age (and in her generally frail condition). But there was no such condition, and they have helped her to get things moving again. I am not impressed, however, with the nursing staff at her assisted-living facility, for allowing her to get into such a state to begin with.

Font trouble

Upgraded today to WordPress 3.5.1. This broke the WebINK plugin, so my custom fonts no longer display correctly. (Oddly, they do appear on the site admin pages; just not on the site itself.)

I have issued a cry for help to the folks at WebINK, and may follow up with an APB on the WordPress forums. If anybody reading this has any ideas how to fix the plugin, please do let me know.

Meanwhile, I apologize to you all for the clumsiness of the default fonts. The design is still the same; only the typefaces have been changed to protect the innocent — or, in this case, the howlingly guilty.

Update, 18:10: My WebINK fonts display correctly in the default WP theme, and (for the most part) in the default theme for the Genesis framework. Genesis substitutes its own header fonts for mine; Prose substitutes header and body fonts.

More as events develop (or not).

Update, 18:13: Italics and bold type are displaying in Arno Pro, as they ought. Plain text is displaying in Palatino, as it definitely ought not. This bug has hidden depths.

Sorry for the interruption . . .

For the past week, I have been ill and unable to work. Now I am ill and able to work — some. Regular posting should resume tomorrow, D.V.

 

The gentle art of making eyeballs bleed

The URL about says it all:

http://lousybookcovers.tumblr.com/

Kids, don’t try this at home. Please.

Now, for those who don’t want to end up with their covers being mocked on Tumblr, I can heartily recommend Joel Friedlander’s site, The Book Designer.

A minor milestone

With the republication of ‘Teaching Pegasus to crawl’, there are now over 200,000 words of content on bondwine.com. I hope you may find some of them interesting, informative, or entertaining.

Defining ‘literary fiction’

Geoff Burling says, in a comment on The Passive Voice (same article as the last):

One problem I have with Friedman’s post was that she insisted on an artificial distinction between “literary fiction” — I’m guessing she means fiction that is written well but is not bestseller material — & “genre” fiction (e.g., romance, mystery, action, science fiction): until a few decades ago, any fiction writer published with the hope her/his book would get on the bestseller lists, that everyone would want to read the book. (I bet even Herman Melville wanted Moby Dick to be a best seller, & was disappointed when it sold poorly.) A work is classed as literature long after the author is dead in most cases, anyway.

I reply:

Actually, the ‘literary fiction’ racket has been going for over a century, and it is, indeed, a racket. It is based not on quality of writing (though, to keep its rights to the moniker ‘literary’, it does tend to insist obsessively on fine details of prose technique at the sentence level), but on exclusion. [Read more…]

Quality vs. quality

Edward M. Grant says, in a comment on The Passive Voice:

Most readers don’t care about ‘quality’ in the English teacher sense. They just want a good story that’s told in a readable manner.

I reply:

Which is to say that they are very picky indeed about actual quality. It’s just that the quality of a story as a story is not the sort of thing that English teachers are well equipped to analyse; so they pick and pick at relatively unimportant details of prose technique.

The trouble with publishing first drafts, for most writers, is that we very seldom get all our best ideas on the first draft. Right now, for instance, I am (shirking) revising the second book in a series that I am bringing out — an important structural revision. I realized a while ago that the pacing wasn’t holding up well in the earlier part of the book; and in the course of figuring out why, I came up with a much better way of getting the plot from point A to point B, in such a way that all the elements of the story would come together at point B with a bang, instead of making little popping noises one by one along the way.

John Cleese talks about how one of his fellow Pythons, though more talented than Cleese as a writer, never wrote scripts as original as Cleese’s. This (said Cleese) is because the colleague would go with the first workable idea he thought of, and knock off at 5:00, whilst Cleese would stay for an extra hour and a quarter, trying different ideas until he came up with something better. A lot of writers do this kind of work in the second draft. They’ve built the skeleton of the story, and have a working route from beginning to end; now they can make structural revisions to come up with the best route.

Readers will never consciously notice that all this work has been done, but they have a very shrewd way of being able to tell when it hasn’t.

Testing JournalPress

This is a test of the JournalPress plugin for WordPress. If I have installed it correctly (and it really is compatible with WP 3.5), this post should appear at superversive.livejournal.com. You should be able to leave comments on either site.

On semicolons

Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college.

—Kurt Vonnegut

Let’s take this bit by bit:

Here is a lesson in creative writing.

Asserted but not proved.

First rule: Do not use semicolons.

Nobody but Vonnegut ever heard of this ‘rule’, and most notable English authors of the last few centuries have used semicolons freely. I conclude therefore that it is not a rule, but merely an expression of Vonnegut’s wishful thinking. It is true that George Orwell wrote Coming Up For Air without using semicolons, as an experiment; but he went straight back to using semicolons in all his subsequent books. I should say that counted as evidence that it is not a rule.

They are transvestite hermaphrodites representing absolutely nothing.

On the contrary, they represent the same thing as the Greek hypostigme, which was invented over 2,000 years ago. In marking up texts for public reading, as an aide-memoire to the readers, they used to put dots in between words to indicate places where one should pause. There were three of these marks originally:

The stigme teleia or ‘final dot’ served the same function as our full stop, but it was even with the tops of the letters instead of the baseline. In reading aloud, it indicated a relatively long pause.

The stigme mese or ‘middle dot’ was halfway up the line, about where we would put a hyphen, and represented a place where you could pause long enough to take a breath; it corresponded roughly to our comma.

The hypostigme or ‘under-dot’ represented a middle-sized pause, longer than a stigme mese but shorter than a stigme teleia, to show that the reader should pause while the audience took in the meaning of the preceding clause, but that the sentence was not yet over.

Note that these marks were invented long before the question mark, colon, or exclamation mark, which presumably Vonnegut thinks are important enough to keep. If the Greeks found a need for all three, and modern punctuation includes all three, I think it’s safe to say that there really is a function for all three.

All they do is show you’ve been to college.

Pish-tosh. I began using semicolons when I was about ten, and never encountered anybody in college who said anything about them one way or the other.

Welcome, and excuse the dust—

For the past seven years, my blog, The Superversive, has been hosted on LiveJournal. I’ll be continuing to maintain it there, but as of today (2 January 2013) I’ve begun the process of migrating over to WordPress on my own domain.

It will take some time to get the conversion done and work the kinks out. For the time being, I plan to post all new blog entries both here and on LJ. Eventually I may drop LJ altogether, or make that edition of the blog inactive. Meanwhile, I invite you to feel at home in either location. Have a seat and put your feet up, because it may not be safe to put them down!